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supported by 9 fans who also own “The Hunter”
Comme Satan Worshipping Doom et Miserable, Terminal est un album qui vraiment toute son ampleur quand il est écouté d'une traite car il s'agit d'une lente agonie qui s'étend sur presque trois-quarts d'heure. Les sonorités psychédéliques propres à Bongripper sont absentes et le stoner/doom metal du quartette tend plutôt vers une sphère atmosphérique (certains arpèges de "Slow" ne sont pas éloignés de celles de Earth) voire funéraire et la mort finit par s'imposer comme la seule évidence possible.
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TRANSCANADIAN ANGER
by DOPETHRONE
supported by 8 fans who also own “The Hunter”
This album is an absolute banger. The riffs are especially groovy this time, the vocals are amazing, and the overall thing is supercatchy. If I'd have to list one downside, it's that the mix is so bass-heavy that the sound only truely comes into it's right when listened on good headphones or extremely good speakers. On anything less it can sound like the bass drowns the rest of the music out. 9/10
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Rite of Ascension
by Mammoth Storm
supported by 8 fans who also own “The Hunter”
Crushing doom with great atmospheric moments. Pure gold!
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Former members of the great band SubRosa return as The Otolith, and their debut LP finds them at the peak of their mighty powers.
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Weedian presents a 56-track chronicle of Mexico's stoner metal and heavy psych scenes, from ’90s forefathers to contemporary wrecking crews.
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Stylistically diverse but singularly scorching, the New Mexico metal band's debut is a desert rock monolith.
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supported by 7 fans who also own “The Hunter”
Everything you'd want as a sequel to their amazing EP - the riffs are heavier, the psych is trippier, and the samples are more laser guidedly perfect.
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